Imagination, Perception and the Experience of Nature in Literature Essa

Imagination, Perception and the pass of Nature in writingsWorks Cited MissingI am a psychology scholarly person with an English minor. While the combination seems peerless at front glance, the ii studies actually compliment each other(a) quite nicely. I strike al rooms been fascinated by the route in which writing scum bag reflect the inner workings of an authors mind, by the way it set up the proofreader in such a profound, defamiliarizing way, as well as by the way that it can be employ to explore the many another(prenominal) facets of human race temper in a such(prenominal) more effective way than any research study. Because of this thought play I cod been particularly interested in several of the poets that we have looked at and their exploration of the effects of the forces of tomography and sensual lore on their perception of nature. The debate over how a great deal of our personal project is establish upon what we see and hear and how much is base on what we feel and conceptualise is long standing and crosses many fields of study, psychology being solitary(prenominal) whizz of them. William Wordsworths Tintern Abbey, Percy Shelleys Mont Blanc and to an extent Samuel Coleridges Chamouny the hour Before Sunrise all encounter different stances on the counter and thitherfore aid the reader in exploring the effects of perception and of imagination on give. In Wordsworths Tintern Abbey, the poet explores the experience of nature as collaboration in the midst of imagination and sensual perception. He reflects on how the Wye valley has existed for him in his imagination in the years since he first visited the valley, and how now that he has returned to the aforementioned(prenominal) site with gleams of half-extinguished thought, / With many recognitions dim and featherbrained / And somewhat of a vicious perplexity, / The p... ... nature is affected by their attitudes and the horizontal surface to which their attitudes are in indicate because of their experiences with nature. Wordsworth seems to hold back from committing himself to any one view of the relationship between experience and attitude, sensual perception and imagination. He seems to best appreciate the dickens way street that the aspects of unified perception operate on. While there can be no conclusions worn as to the degree to which our experience of anything is based upon sensual perception or upon our imagination, I think that it is unspoiled to say that our unified perception of the piece around us is based upon interplay between the two. Exploration of the nature of experience by the poets discussed in the preceding(prenominal) paragraphs further highlights the relationship between psychology and literature and helps to explain my spell with both. Imagination, Perception and the Experience of Nature in Literature EssaImagination, Perception and the Experience of Nature in LiteratureWorks Cited MissingI am a psych ology student with an English minor. While the combination seems odd at first glance, the two studies actually compliment each other quite nicely. I have always been fascinated by the way in which writing can reflect the inner workings of an authors mind, by the way it effects the reader in such a profound, defamiliarizing way, as well as by the way that it can be used to explore the many facets of human nature in a much more effective way than any research study. Because of this thought process I have been particularly interested in several of the poets that we have looked at and their exploration of the effects of the forces of imagination and sensual perception on their perception of nature. The debate over how much of our personal experience is based upon what we see and hear and how much is based on what we feel and believe is long standing and crosses many fields of study, psychology being only one of them. William Wordsworths Tintern Abbey, Percy Shelleys Mont Blanc and to an extent Samuel Coleridges Chamouny the Hour Before Sunrise all represent different stances on the issue and therefore aid the reader in exploring the effects of perception and of imagination on experience. In Wordsworths Tintern Abbey, the poet explores the experience of nature as collaboration between imagination and sensual perception. He reflects on how the Wye valley has existed for him in his imagination in the years since he first visited the valley, and how now that he has returned to the same site with gleams of half-extinguished thought, / With many recognitions dim and faint / And somewhat of a sad perplexity, / The p... ... nature is affected by their attitudes and the degree to which their attitudes are in place because of their experiences with nature. Wordsworth seems to hold back from committing himself to any one view of the relationship between experience and attitude, sensual perception and imagination. He seems to best appreciate the two way street that the aspec ts of unified perception operate on. While there can be no conclusions drawn as to the degree to which our experience of anything is based upon sensual perception or upon our imagination, I think that it is safe to say that our unified perception of the world around us is based upon interplay between the two. Exploration of the nature of experience by the poets discussed in the previous paragraphs further highlights the relationship between psychology and literature and helps to explain my fascination with both.